4E/Paranoia Intro Sheet

Below is an introduction we’ve created for the upcoming playtest of our D&D 4E/Paranoia hybrid game, temporarily named Kingdom of Teria. It gives an idea of how the hybrid will work, and how Paranoia’s unique style will mesh with D&D’s fantasy rules.  Comments are always welcome.

Kingdom of Teria Introduction Sheet

What you need to know about The Rules:

  • This game is D&D 4E but you get to hurt, mess with, and kill each others’ characters
  • 4E rules for combat, powers, hit points, saves, etc. are all untouched and work normally
  • You will get a second, new class and some new powers that let you screw with your allies
  • Everyone will be resurrected, repeatedly if necessary, so don’t worry–kill each other early and often
  • You need to balance teamwork with backstabbing–you still have a quest to accomplish
  • Spend ScrewU points to force someone to reroll dice
  • When (not if) someone screws you over, don’t get mad–get even!

What you need to know about The Setting:

  • Arcane magic is illegal in this setting, and using it is punishable by beheading
  • Divine magic is not considered magic and is good
  • You are a Knight and your job is to hunt down magic users and magic items
  • Accusing people of using magic is a fun but dangerous pastime; accuse incorrectly and face the axe
  • The entire world is ruled by High King Olaf the Holy under the Kingdom of Teria
  • Subjects are either Peasants or Aristocrats; Peasants must obey the Aristocracy
  • Secret, illegal fellowships exist; being a member is punishable by beheading
  • Your character is a peasant and belongs to a fellowship

Big differences between this game and D&D:

  • Players are encouraged to hurt and kill each others’ characters
  • Arcane magic is illegal. Get caught using it and get executed.
  • There are no wizards, warlocks, etc. (at least not publicly); same goes for magic items. Divine magic, however, is fine.
  • ScrewU Points: Spend a point to force someone, even the GM, to reroll; get points from good roleplaying

Secret Fellowships Explained

  • Arcane Staff: Magic-users of all kinds who research and practice the illegal art of arcane magic.  Their ultimate goal is to dethrone the High King and rule Teria as a magical kingdom.
  • Broken Throne: Idealist revolutionaries, they hate the High King and want to execute him and his entire royal bloodline, make all men Princes and redistribute the land equally.
  • Oscar the Red: Followers of an ancient royal rival to the Olaf bloodline. They want to kill the High King and put a surviving blood relative to Oscar the Red on the throne.
  • Empty Mug: These folk like to get drunk and break stuff. Sometimes their violence has an agenda, such as attacking the local lord and his aristocratic friends, but other times the violence is random.
  • Golden Horde: Merchants, aristocrats, and criminals who worship gold. They always wants more coins, be it by thief or by merchant. They occasionally lend money but only with high interest rates.
  • Believers: Mostly peasants who are fascinated by the Pantheon and the powers of divinity, including divinely-powered relics. While technically legal, these people go overboard and scare the Gods.
  • Living God: Believes the High King is really the chief god of the Pantheon and must be worshipped above all gods and goddesses. The Gods hate this idea.
  • Dark Guild: Bullies, killers, and would-be conquerors whose only goal is to gain power for their fellowship. Only evil people and creatures join the Dark Guild.

Setting Overview

The Kingdom of Teria occupies the whole world. It is ruled by High King Olaf the Holy, the latest in a long line of Olafs who have ruled the kingdom for centuries. That means the current High King Olaf is inbred, mildly psychotic, occasionally deranged, and all powerful. However, his intentions are good. He sincerely wants his subjects to be happy, including the lowliest of peasants. It’s just that, because he’s insane, his methods are insane and consequently many loyal subjects are insane.

All of the Gods of Teria, including the evil ones, work together as the Pantheon. The Pantheon supports the Olaf bloodline as rulers of everywhere. In return, Olafs keep arcane magic illegal and worship mandatory. (Gods hate arcane magic because there’s no priestly middlemen involved in it.) If you are caught using magic, you will be executed. If you are accused of using magic, and your accusers are persuasive, you may be executed even though you did nothing wrong. The kingdom believes in a “better safe than sorry” approach.

Society is split into two parts: the peasantry and the aristocracy. Peasants are expected to obey the lords and ladies of the aristocracy at all times. The aristocracy is expected to protect the peasants. These expectations are even met on occasion.

Although Teria is unified, there are many factions. Secret fellowships exist that fight against the kingdom, some more obviously than others. Peasants hunger for the land and power of the aristocracy, leading to many accusations of magic use. The land is not civilized in all places, and monsters still roam the dark forests, swamps, old ruins and caves.

Your Role & Character

You play one of the High King’s elite guards–a knight of the Order of Knights Mundane. The Order was founded to enforce the decree that magic was forbidden. Since then, Knights have been sent on millions of quests to destroy magic items or arrest wizards and warlocks. Some of these quests have even succeeded.

Knights are simultaneously loved and feared. People love a good fight, and wherever Knights are found, a fight is never far away. Then again, Knights are given a difficult task and told to accomplish it or face torture. They also have sharp weapons. When a party of Knights enters a village, most people lock their doors and watch intently from behind drawn curtains. (Or, in the case of peasants, drawn thatch.)

People fear Knights for another reason: they fight amongst themselves all the time. Accusations of magic use are commonplace amongst Knights, as are fights, backstabs (both literal and figurative), and yes, magic use. This is tolerated because, to aide Knights on their dangerous quests, the Pantheon has given each a resurrection crystal. This divine relic burrows into a Knight’s chest and resides there permanently. When a Knight dies, the crystal activates automatically, resurrecting the Knight.

Your character has two classes: Normal and Hidden. The Normal class comes from the Player’s Handbook 1 and it determines all of your stats. The Hidden class is an additional one unique to Kingdom of Teria. This class only provides some fun powers that let you screw with other Knights.

Also, your character will have one magic item (which is illegal!) and will belong to a secret fellowship (again, illegal!). Do not share these with the other players! They will report you and you will be executed. Your fellowship will give you a secret quest, one which will give you bonus XP if you accomplish it. The secret quest might be at odds with your Knightly quest, or it may task you with the murder of your fellow Knights. So be it!

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For When D&D Isn’t Deadly Enough

Taking a much-needed break from Triune, we’re working on a mish-mash of D&D 4E and Paranoia RPG. The untitled game will playtest at ENWorld GameDay Chicago 25 in a few weeks, so we thought we’d post a little bit about our unholy merger.

D&D 4E introduced the concept of roles during combat, such as Controller or Striker. (By introduce, we mean bring into D&D for the first time officially.) They’re all well and good, but they are … nice. They allow characters to help one another. That’s not exactly in the spirit of Paranoia, so we created our own roles to help us design new classes and powers. The new roles are:

  • Uncontroller: Focused on affecting multiple people at once, allies and enemies alike. Uncontrollers hurt their allies by causing indiscriminate debuffs or damage, especially when altering the terrain. “Hey, it’s not my fault you were in the area of effect!”
  • Manipulator: Focused on debuffing and controlling allies against their will. Manipulators hurt their allies by causing them to lose bonuses or make bad moves. As a whole, this role is not focused towards melee or ranged combat. “Friend Paladin! Stand here and … oh, that’s gotta hurt.”
  • Betrayer: Focused on exposing individual allies to heavy damage, sapping their mobility, and avoiding their attacks. Betrayers hurt their allies by exposing weak spots, tripping them up, and dancing away from retaliatory strikes. “I didn’t mean to trip you, allowing the enemy to strike your vulnerable, prone body. Honest.”

That should rack up the body count, eh?

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D&D 4E + Paranoia = Love

Back when I was writing for the Paranoia RPG, I was working on a project called Brave New Complex. It took all that made Paranoia fun to play and put it in different settings, keeping the Paranoia rules but with some modifications. I took on the job of translating Paranoia into your generic fantasy game setting, and it was a lot of fun. Too bad Mongoose Publishing canceled* the idea before we could finish the damn thing.

Their loss is my gain. I’ve played the fourth edition of Dungeons and Dragons, and while it’s more a miniature game than a roleplaying game, it’s still fun. But it got me thinking: Could I combine 4E and Paranoia? Should I?

So I tried … and I love it! New roles in battle, new classes, new powers, all facilitating Paranoia-esque backstabbing and fear but all with that familiar D&D smell. Next month is EN World GameDay 25. I will be running a playtest of this 4E/Paranoia hybrid, complete with minis and battlemats. During the next few weeks, I’ll be posting more about this new game and the playtest results, but until then, here’s a tidbit for you.

Paranoia does not focus on combat like 4E does, so I made four new roles to fit the Paranoia mindset: Uncontroller, Agitator, Manipulator, and Betrayer.

  • Uncontroller: Focused on affecting multiple people at once, allies and enemies alike. Uncontrollers hurt their allies by causing indiscriminate debuffs or damage, especially when altering the terrain. “Hey, it’s not my fault you were in the area of effect!”
  • Agitator: Focused on getting enemies to attack allies, either accidentally or purposefully. Agitators hurt their allies by bringing aggro to others and dodging just in time so an attack hits an ally instead. “The cleric over there killed your master! Attack him instead!”
  • Manipulator: Focused on debuffing and controlling allies against their will. Manipulators hurt their allies by causing them to lose bonuses or make bad moves. As a whole, this role is not focused towards melee or ranged combat. “Friend Paladin! Stand here and … oh, that’s gotta hurt.”
  • Betrayer: Focused on exposing individual allies to heavy damage, sapping their mobility, and avoiding their attacks. Betrayers hurt their allies by exposing weak spots, tripping them up, and dancing away from retaliatory strikes. “I didn’t mean to trip you, allowing the enemy to strike your vulnerable, prone body. Honest.”

Tell me this doesn’t sound fun?

* By canceled, I mean the project fell apart and Mo0ngoose never picked it up.  I pitched the idea myself to Mongoose, and they politely said no.

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Space Peanut Butter

Triune is set in the future, so we need to describe how the future looks and works in our game books. But where do we stop?

A fantasy rpg setting is pretty easy to describe. People already know what castles, horses, swords, and 10′ poles look like. Yes, you might have to explain what a bec-de-corbin is, or what the elven Council of Elders is all about, but for the most part, players understand the imaginary world wherein they’re killing and looting. No one wonders what peasants eat.

peanut_butterA science fiction rpg setting is more difficult. Some tropes are understood–rocket ships are rocket ship no matter what you call them–but the basics of life could be so different from now that they need some level of description. Are guns still guns? Maybe, but maybe not. Players need to know which version of the future has shaped the setting. Does a FutureGun have a stun setting? Is there money? Do Space Peasants eat Space Peanut Butter?

It’s impossible to describe a sci-fi rpg setting completely. Quite possibly that’s a bad idea anyway; GMs should be able to tailor the setting to their needs. Yet you cannot leave too much for GMs to decide, especially if it impacts the gameplay. Where do you draw the line?

Our line is this: define what players need to know to play the game. In Triune, players are police hunting down religious sympathizers and rogue angels and devils. Do they need to know how the future criminal justice system works? Yes. It’s part of their character’s purview. How authorities handle criminals is important to the PCs. Do they need to know what peanut butter is like two hundred years from now? No. It has no bearing on the gameplay (at least none that can be reasonably predicted).

Therefore, we will be describing gear that PCs will encounter, prayers they can use and face in the course of an investigation, underground movements they might fight, and more. As for Space Peanut Butter, that’s up to your friendly GM.

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Whose game is it, anyway?

I was reading the excellent article (as usual) on the Socratic Design blog when I started to think about design as art and the authority of the artist to define his work. (Yes, this is a high-falutin’ entry today.)

I’m designing Triune as a “serious” game akin to Traveller or WoD games. (As opposed to sillier games like Paranoia.) I also want to challenge players’ mindsets and feelings towards religion. My design shows that: few jokes in the rulebook, serious tone in the introductory adventure, religions are character classes, etc.

Is that right?

As the designer, I have very definite thoughts about how the Triune game experience should reach players. During playtesting, I’ve encouraged that. Again, I think the rules encourage that as well. But one playtest turned into a silly riot full of pratfalls and bad puns. Completely different experience than what I designed. Everyone had fun, which is the point of a game afterall, but should a designer worry about that?

For example, I’m positive the people behind Passion of the Christ wanted viewers to feel sympathy, if not love and guilt, from the viewing experience. Yet the Passion of the Christ Drinking Game kinda changes that. Should a designer try to push the gameplay into providing “his” experience?

I would say yes and no. I’m the designer, so I can try as hard as I can to set a certain experience for players. In fact, I think that’s a requirement! Otherwise, you get bland, boring generic systems that don’t do much for players. However, once the game is purchased, it is no longer my work alone. It becomes part of the players’ work and they have the right to alter the experience as they see fit, even if I think it’s blasphemy.

I think Vampire works best as a serious game; there’s a lot to be taken from the humanity/beast thing going on. But if people want to just focus on combat, or soap-opera romance, or a parody of Twilight, who am I to say that’s wrong?

Whose game is it, anyway? Right now, because it’s unreleased, it’s mine. Once published, it’s ours. Publishing removes my right to Emperor of Gameplay Experience as I surrender to a democracy and diversity of experiences.

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Blue Collar Prayers

construction_workersWhat do you think the prayers of the working man are like?

In Triune, faith isn’t restricted to organized religions such as Christianity or Judaism. Characters can worship Hell by embracing sins such as greed or lust, or they can worship the Hegemony (the human government) by having faith in their career.

We are finishing the prayers of the Worker: a “class” of blue collar workers in the Hegemony. Because of the weave, manufacturing jobs are few and far between but there are still plenty of menial tasks needed to be done. That’s where the working man comes in. Characters “worshiping” their blue collar status (“Unlike those upper class snobs, I get my hands dirty and I’m proud of it!”) gain prayers like every character class in Triune.

What are those prayers? Here’s a sampling:

  • Lost in a Crowd – Become invisible in a group of 6 or more people.
  • Seize the Means – Cause a single machine to stop working.
  • Just the Hired Help – Make NPCs think you’re a low-level employee at whatever business you’re currently located in.
  • Unionize – Command several NPCs nearby. While they won’t do anything obviously suicidal, they can be commanded to attack against overwhelming odds or do illegal things.

Yes, these are the prayers of the working man.

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Gives us your artworks!

Triune is muddling along, slowly but surely, and we are getting close to finishing the Players Rulebook. That means we need to worry about art–and worry we shall.

On one hand, we hate art in rpgs books. Artwork will drive up the cost of our product and, since we have the artistic ability of a flatworm on meth, we hate anything we can’t do ourselves. (Control! Must have control!)

On the other hand, commissioning artwork makes us feel like a real game company. We’re doing what the big boys do! (Unfortunately, we don’t have the money that the big boys have.) Also, it will make the finished product more attractive and hopefully increase sales. We’re not looking to make big bucks or anything, but we wouldn’t mind enough cash to continue producing game materials.

How are we going to pay for it? We have no idea right now. We can drop some money on the more important pieces, but we’re also using DRM-free art/photos where appropriate. (See our Quickstart Guide for examples.)

That said, if you know any struggling artists out there who might be interested in getting underpaid, please send us an email! (wjmacguffin at gmail.com)

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Out of control writing?

As we commented on before, we are busy fleshing out the world of Triune. In doing so, we have screwed up and made more work for us–but this is probably a good thing.

Since the game delves deeply into that wonderful place where religion and law meet, we are committing good space to describing the various nations/worlds of the setting. (USA, EU, Luna, etc.) Also, while playing the game, players can shift nations towards Heaven, Hell, or the Hegemony. So we’ve been writing descriptions on these nations, including underground organizations active therein. (As usual, they are either terrorists or freedom fighters depending on your point of view.)

The bits on underground organizations tended to explain what the organization is all about to explain why their active in that particular nation. After writing this way repeatedly, we realized we should make a new section devoted to explaining underground organizations in the setting. This would create good adventure hooks, and it just makes sense.

Which means we have to cut all the underground group material from the setting info, put it in a new place, and write new stuff about what each group is doing in each nation. Crap. Is this book ever going to get finished? Has writing material for Triune gotten out of control? Not sure, but I’ll worry about that later. Right now, I’ve got some major editing to do.

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Resolution Systems list created

Here at Happy Bishop Games, we love roleplaying games. Not just for how they create socially acceptable environments to say things like, “I disembowel him with my pinky!”, but for all the different ways rpgs have to resolve conflicts. From rolling a single d20 to throwing some coins in the air, there are a lot of fascinating, innovative systems out there. (And lots of boring, derivative ones as well.) To help explore all of these, we have created a new page that lists resolution systems.

We think this list would be helpful to game designers by letting us see how other games handle resolution, to see if our “great idea” has been done before and to see how we can tweak a given system to fit a game. (Remember kiddies, systems aren’t copyrighted.) For example, when we began work on Triune and wanted to decide on a system, we looked at other systems to help us decide which would be best. In the end, we decided to create our own system since no other system had what we were looking for. Still, a list like this would have been helpful, so we made that list.

We’ve also set up a forum to discuss this list. If you want to add a system, please do! Post it on the forum and we’ll eventually get around to adding it to the big list. You can also complain bitterly about how we screwed up on any number of details, such as our classification system and our omissions. We get it–we’re stoopid. And, we’re OK with that.

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Chrysalis Revolt released

DrudgerAfter a long time of editing, re-editing, figuring out how to use InDesign, sleeping, and more editing, Happy Bishop Games is proud to announce the release of its first product: The Chrysalis Revolt 2709-2710.

Chrysalis Revolt started as an entry to the 2008 GameChef competition. GameChef is a contest where people design complete roleplaying games within a few weeks (yes, weeks) using a specific set of “ingredients”. In 2008, the competition used art as its ingredients–all games submitted for the contest had to revolve around a set of artwork created for the contest. We chose the wonderful art of Brandon James Young, an official Friend of the Happy Bishop, and built a game around those images.

The game is a parlor narration style roleplaying game. Instead of using minis and battlemats, you make up stories as you play the game. Players can challenge each other to take over the story and move closer to victory. A deck of cards is used to add some elements of strategy and luck to the game.

Happy Bishop Games is offering this game for free. Why? It’s a small game and very unique. Plus, we’re hoping to increase traffic to our website and generate some buzz for our upcoming release of Triune RPG.

We hope you enjoy our game, and we’d love to hear your comments. Here at this website, you’ll find forums where you can talk about Chrysalis Revolt and ask questions about the rules, setting, art, or what have you. Have fun!

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